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 * DO NOT ALTER OR REMOVE COPYRIGHT NOTICES OR THIS FILE HEADER.
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 * This code is free software; you can redistribute it and/or modify it
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 * published by the Free Software Foundation.  Oracle designates this
 * particular file as subject to the "Classpath" exception as provided
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 * accompanied this code).
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package javafx.scene.effect;

/**
 * A blending mode defines the manner in which the inputs of a Blend
 * effect are composited together or how a Node is blended into the
 * background of a scene.
 *
import javafx.scene.*;
import javafx.scene.effect.*;
import javafx.scene.paint.*;
import javafx.scene.shape.*;

Rectangle r = new Rectangle();
r.setX(50);
r.setY(50);
r.setWidth(50);
r.setHeight(50);
r.setFill(Color.BLUE);

Circle c = new Circle();
c.setFill(Color.rgb(255, 0, 0, 0.5));
c.setCenterX(50);
c.setCenterY(50);
c.setRadius(25);
c.setBlendMode(BlendMode.MULTIPLY);

Group g = new Group();
g.getChildren().add(r);
g.getChildren().add(c);
* @since JavaFX 2.0 */ public enum BlendMode { /** * The top input is blended over the bottom input. * (Equivalent to the Porter-Duff "source over destination" rule.) */ SRC_OVER, /** * The part of the top input lying inside of the bottom input * is blended with the bottom input. * (Equivalent to the Porter-Duff "source atop destination" rule.) */ SRC_ATOP, /** * The color and alpha components from the top input are * added to those from the bottom input. * The result is clamped to 1.0 if it exceeds the logical * maximum of 1.0. *

* Notes: *

    *
  • This mode is commutative (ordering of inputs * does not matter). *
  • This mode is sometimes referred to as "linear dodge" in * imaging software packages. *
*/ ADD, /** * The color components from the first input are multiplied with those * from the second input. * The alpha components are blended according to * the {@link #SRC_OVER} equation. *

* Notes: *

    *
  • This mode is commutative (ordering of inputs * does not matter). *
  • This mode is the mathematical opposite of * the {@link #SCREEN} mode. *
  • The resulting color is always at least as dark as either * of the input colors. *
  • Rendering with a completely black top input produces black; * rendering with a completely white top input produces a result * equivalent to the bottom input. *
*/ MULTIPLY, /** * The color components from both of the inputs are * inverted, multiplied with each other, and that result * is again inverted to produce the resulting color. * The alpha components are blended according * to the {@link #SRC_OVER} equation. *

* Notes: *

    *
  • This mode is commutative (ordering of inputs * does not matter). *
  • This mode is the mathematical opposite of * the {@link #MULTIPLY} mode. *
  • The resulting color is always at least as light as either * of the input colors. *
  • Rendering with a completely white top input produces white; * rendering with a completely black top input produces a result * equivalent to the bottom input. *
*/ SCREEN, /** * The input color components are either multiplied or screened, * depending on the bottom input color. * The alpha components are blended according * to the {@link #SRC_OVER} equation. *

* Notes: *

    *
  • This mode is a combination of {@link #SCREEN} and * {@link #MULTIPLY}, depending on the bottom input color. *
  • This mode is the mathematical opposite of * the {@link #HARD_LIGHT} mode. *
  • In this mode, the top input colors "overlay" the bottom input * while preserving highlights and shadows of the latter. *
*/ OVERLAY, /** * The darker of the color components from the two inputs are * selected to produce the resulting color. * The alpha components are blended according * to the {@link #SRC_OVER} equation. *

* Notes: *

    *
  • This mode is commutative (ordering of inputs * does not matter). *
  • This mode is the mathematical opposite of * the {@link #LIGHTEN} mode. *
*/ DARKEN, /** * The lighter of the color components from the two inputs are * selected to produce the resulting color. * The alpha components are blended according * to the {@link #SRC_OVER} equation. *

* Notes: *

    *
  • This mode is commutative (ordering of inputs * does not matter). *
  • This mode is the mathematical opposite of * the {@link #DARKEN} mode. *
*/ LIGHTEN, /** * The bottom input color components are divided by the inverse * of the top input color components to produce the resulting color. * The alpha components are blended according * to the {@link #SRC_OVER} equation. */ COLOR_DODGE, /** * The inverse of the bottom input color components are divided by * the top input color components, all of which is then inverted * to produce the resulting color. * The alpha components are blended according * to the {@link #SRC_OVER} equation. */ COLOR_BURN, /** * The input color components are either multiplied or screened, * depending on the top input color. * The alpha components are blended according * to the {@link #SRC_OVER} equation. *

* Notes: *

    *
  • This mode is a combination of {@link #SCREEN} and * {@link #MULTIPLY}, depending on the top input color. *
  • This mode is the mathematical opposite of * the {@link #OVERLAY} mode. *
*/ HARD_LIGHT, /** * The input color components are either darkened or lightened, * depending on the top input color. * The alpha components are blended according * to the {@link #SRC_OVER} equation. *

* Notes: *

    *
  • This mode is similar to {@link #OVERLAY}, but generally * produces "lighter" results than {@code OVERLAY}. *
*/ SOFT_LIGHT, /** * The darker of the color components from the two inputs are * subtracted from the lighter ones to produce the resulting color. * The alpha components are blended according * to the {@link #SRC_OVER} equation. *

* Notes: *

    *
  • This mode is commutative (ordering of inputs * does not matter). *
  • This mode can be used to invert parts of the bottom input * image, or to quickly compare two images (equal pixels will result * in black). *
  • Rendering with a completely white top input inverts the * bottom input; rendering with a completely black top input produces * a result equivalent to the bottom input. *
*/ DIFFERENCE, /** * The color components from the two inputs are multiplied and * doubled, and then subtracted from the sum of the bottom input * color components, to produce the resulting color. * The alpha components are blended according * to the {@link #SRC_OVER} equation. *

* Notes: *

    *
  • This mode is commutative (ordering of inputs * does not matter). *
  • This mode can be used to invert parts of the bottom input. *
  • This mode produces results that are similar to those of * {@link #DIFFERENCE}, except with lower contrast. *
  • Rendering with a completely white top input inverts the * bottom input; rendering with a completely black top input produces * a result equivalent to the bottom input. *
*/ EXCLUSION, /** * The red component of the bottom input is replaced with the * red component of the top input; the other color components * are unaffected. * The alpha components are blended according * to the {@link #SRC_OVER} equation. */ RED, /** * The green component of the bottom input is replaced with the * green component of the top input; the other color components * are unaffected. * The alpha components are blended according * to the {@link #SRC_OVER} equation. */ GREEN, /** * The blue component of the bottom input is replaced with the * blue component of the top input; the other color components * are unaffected. * The alpha components are blended according * to the {@link #SRC_OVER} equation. */ BLUE }




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